Exploring queer diasporic narratives in and from the Caribbean, this book combines queer theory and diaspora studies. It opens a domain where social and cultural meanings of sexuality within Caribbean spaces become objects of historical, colonial and literary inquiry—addressing identity construction and postcolonial diasporic formations.

This monograph looks closely at some of the most significant films within the field of queer Sinophone cinema. Examining queerness in films produced in the PRC, Taiwan and Hong Kong, the book merges the Sinophone with the queer, theorising both concepts as local and global, homebound as well as diasporic.

Co-edited with Lars Jensen, Julia Suárez-Krabbe and Christian Groes. The anthology engages with the concept of ‘Europe’ across multiple registers—as a geographical space, geopolitical power and privileged epistemic site that historically occluded others, rewriting epistemologies from non-Western perspectives.